Frankenstein Conquers The World (1966)

Following the successes of Toho's other giant monster movies, FRANKENSTEIN CONQUERS THE WORLD capitalizes on more World War II fears materialized in the form of a gigantic Frankenstein monster that brings with him mass destruction but also the hope of regenerating lost tissue to those afflicted by nuclear war. Japanese scientists recover the heart of the Frankenstein monster before the fall of Germany during the Second World War, with the intent of learning its secrets in order to benefit mankind. The heart and its observers are then buried in the Hiroshima blast, but 15 years later, it births a radioactive monster that begins growing at an accelerated rate. The monster takes to the hills with Japan's army hot on its tale, but when terror strikes in the form of the dinosaur Baragon, Japan's only hope lies in its would-be destroyer! Like his reptile counterpart, the monster is a condemnation of war and nuclear weaponry as told through this fantastic tale. Ishiro Honda delivers more incredible filming, superior miniatures, and high production values that stand up against many of Toho's greats. Composite shots pairing the miniature set designs, the monster, and the comparatively tiny cast are handled with flawless precision early on in the film. It is the final third that forgets all of the strength and originality of the plot and becomes just another average monster brawl. FRANKENSTEIN CONQUERS THE WORLD is a winning effort from the Golden Age of Toho, and is sure to appeal to any Kaiju Eiga fan.

Rating: 8/10.

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  1. This movie may very well have the greatest title of all-time....

  2. I'm always torn on which title to use, personally.

    On one hand, 'Frankenstein Conquers the World' is great, but doesn't give you the whole picture.

    On the other hand, 'Frankenstein vs. Baragon' tells you that you are watching some weird cross between James Whale and Ishiro Honda.

    Which is best? You decide!

  3. Both titles are awesomely misleading, since the first sounds like Frankenstein has become a powerful crime boss and is running an underground syndicate for world domination with Bond hot on his heels, but the other wouldnt make sense as a Kaiju film since there is no implication that Frankenstein is huge. I would have gone with "HUGE GIANT FRANKENSTEIN FIGHTS THE BARAGON FOR ULTIMATE WORLD CONQUERATION!!1"

  4. I thought it was a bit odd that they referred to the creature as 'Frankenstein' and not Frankenstein's monster. At least in the sequel's original Japanese title they did (FRANKENSTEIN MONSTERS: SANDA VS. GAIRA). This and the sequel are great little movies. I think some of Tsuburaya's best work is found in these two movies.



    AGOURA HILLS, CALIFORNIA – March 8th, 2010: For the first time in America, a book has been published on Japan's foremost director of Fantasy Films: The book is called MUSHROOM CLOUDS AND MUSHROOM MEN – The Fantastic Cinema of Ishiro Honda.

    Known primarily for directing such classic Japanese monster movies as Rodan, Mothra, Attack of the Mushroom People and the original Godzilla, Honda has been a much-overlooked figure in mainstream international cinema.

    MUSHROOM CLOUDS AND MUSHROOM MEN is the first book to cover in English print Honda’s life as well comprehensively evaluates all 25 of his fantasy films. It is also gives objective and critical analysis of Honda's filmmaking methods, themes and relationships with actors and technicians.

    Making use of extensive interviews from Honda’s colleagues, as well as a wealth of original source material never before gathered into one volume (including unpublished essays), MUSHROOM CLOUDS AND MUSHROOM MEN is an affectionate tribute to arguably the most-prolific and influential director in the history of fantasy films.

    Here is the link to the publishing company with details: MUSHROOM CLOUDS AND MUSHROOM MEN is available on the Amazon, Barnes and Noble and Borders websites (ISBN No.: 978-1-4490-2771-1) and as an “E-Book.” An interview with the author about his book can be found on YouTube at

    The email address for receiving complimentary review copies is:

    Many thanks and enjoy!